Spent some time at Masterclass today and yesterday, two days of cooking demonstrations and classes that are part of the Melbourne Food and Wine Festival. Local and international chefs demonstrating included Spain’s Andoni Luis Aduriz, London’s Sam and Sam Clark (Moro), New York’s Will Goldfarb (Room 4 Dessert), Rose Gray (one half of London’s River Café partnership), Vincenzo Cammerucci from Lido Lido in Cesenatico on the Italy's Adriatic Coast, Darwin’s Jimmy Shu (Hanuman), Adelaide’s Cheong Liew and Tony Bilson from Sydney.
1. The River Cafe Almond Tart with Berries (above)
Divine and, for a pastry klutz like me, seductively rustic. The beauty of this tart is that, according to chef Rose Gray, it can “take you through the whole year”. River Cafe partner Ruth Rogers broke a hip skiing just before Masterclass and was not able to attend, so a solo Gray talked about using plums on the tart in autumn, Seville orange jam under the frangipane filling in winter, blackberries in summer. Curiously, they use a cheese grater to grate the pastry into the flan tin, then press it in by hand – “we like it to look rough,” Gray said. This minimises the amount the pastry is handled. And they always use whole almonds rather than almond meal, which can be less than fresh.
350g plain flour
pinch of salt
225g unsalted butter, cold, cut into cubes
100g icing sugar
3 egg yolks
Filling:
350g blanched whole almonds
350g unsalted butter, softened
350g caster sugar
4 eggs
750g strawberries, washed and stalks removed, or raspberries
100g icing sugar
Preheat the oven to 180°C. Pulse the flour, salt and butter in a food processor until the mixture resembles coarse breadcrumbs. Add the sugar, then the egg yolks, and pulse again. The mixture will immediately combine and leave the sides of the bowl. Remove, wrap in cling film, and chill for at least an hour.
Coarsely grate the pastry into a 30cm loose-bottomed fluted flan tin, then press it evenly onto the sides and the base. Bake blind for 20 minutes until light brown.
Reduce the oven temperature to 150°C. For the filling, put the almonds in a food processor and process until fine. Cream the butter and sugar until the mixture is pale and light. Add the almonds to the butter and sugar and blend, then beat in eggs, one by one. Pour into the pastry case and bake for 40 minutes. Cool a little.
Cut the strawberries into halves lengthways, or quarters if they are very large. Push the strawberry pieces into the tart, standing them upright, while the tart filling is still warm.
Dust with icing sugar and serve with crème fraiche.
2. Why We Should Eat Australian Salmon
I’d never heard of Australian salmon and all of a sudden I’m hearing about it left, right and centre. Plus, I saw it at the markets (at Prosser’s seafood stall) last week for the first time ever, all gleaming and seaweedy. It is actually a member of the perch family, and no relation at all to salmon. Aliases include bay trout, blackback, kahawai and sambo. It is commonly caught in the waters of Port Phillip Bay (the bay that gives Melbourne some pretty ordinary beaches). I’ve never tried the fish, but apparently it can be strongly flavoured and stringy.
At Masterclass, it came up in a discussion about sustainable seafood between Canadian chef Robert Clark, from Vancouver’s contemporary fish restaurant, C Restaurant, and Melbourne’s Paul Mathis (SOS vegaquatic restaurant). When Clark’s Australian sous chef heard that his boss was going to be cooking bay trout during his Australian visit, he was scornful. “We put it in crabpots and feed it to our cats,” the sous chef told him.
The point of the discussion was that Australian salmon is a sustainable species that we should be eating in preference to the many other varieties of unsustainable fish that we more commonly devour. Clark told the audience that he had cooked it all week during his guest chef stint at SOS, to some acclaim. “It reminded me of a sardine and I treated it like a sardine,” he said. That meant salting it to prevent deterioration, then brushing it with a quince jelly and caramelising it in a hot pan.
Next time I see it at the markets, I’m going to grab some. Perhaps I’ll cook it as Greg and Lucy Malouf suggest in Saha (Hardie Grant, 2005): brushed with olive oil, seasoned with salt and pepper, then grilled or barbecued and served with a lentil tabbouleh (lentils, lemon juice, mint, parsley, shallots, tomatoes, allspice, cinnamon).
3. Vincenzo Cammerucci's Gnocchi-Making Method
It’s new to me, but Cammerucci’s technique is based on a choux pastry and the result is exquisite (smart Sam at Becks & Posh wrote about this method a year ago). The Michelin-starred Cammerucci, known for his “New Italian and European” cuisine, was demonstrating “Gnocchi soffiati di zucca con sgombro affumicato rapa rossa” – pumpkin gnocchi with smoked mackerel and beetroot. I’ll leave it to you to come up with your own sauce.
250ml water
salt and pepper
100g butter
175g flour
5 eggs
225g pumpkin puree (steamed pumpkin, pureed)
2tbsp parmesan cheese
Boil the water with salt, pepper and butter. Put the saucepan to the side of the stove and add flour, beating quickly as you add it. Return the saucepan to a gentle heat and continue beating the mixture, extremely vigorously, until it falls away from the sides and the spoon. Add eggs one at a time and continue beating vigorously. You may not need all the eggs – you are looking to achieve a soft and smooth consistency. Add the pumpkin puree, cheese and season to taste.
This is the bit I like: To cook, bring a pan of salted water to the boil. Take a strong, clear plastic bag and slice a 2cm hole in one corner. Filling the plastic bag like a piping bag, take a strong grip on it in your left hand (if you are right handed), forcing the mixture into the corner. In your other hand, take hold of a good sharp knife. Start squeezing the mixture out slowly and, as it comes out, swipe the knife down to slice off a small disc of gnocchi, letting it drop into the water. Dip the knife in the boiling water every few cuts so the gnocchi cuts cleanly. Cammerucci did this swiftly, elegantly, and in a terribly sexy fashion. The gnocchi won’t take long to cook: it’s ready when it floats to the surface.
4. Tony Bilson’s Technique to Cook Fish
Bilson, whose Bilson's Restaurant at Sydney’s Radisson Plaza Hotel specialises in fine French food, told the session that he was reading Escoffier when he was 13. I suppose you have to pay attention to a man who claims that. So, his fish method: He heats his pan, then puts his fish, skin side down, on a piece of lightly oiled/buttered silicone paper. (“If you see it burning and it bursts into flame, you’ve got the wrong paper.”) The fish cooks on the paper in the pan and even browns through it. As you would if you were cooking it without the paper, you turn it over when the time is right. The benefits of this method? It doesn’t stick to the pan; you can cook several pieces of fish at one time on one larger piece of silicone paper and remove them all simultaneously; “the finish you get on the fish is incredibly clean”; and, if you’re using a barbecue plate, the method guarantees “no flavour transference” (from a dirty, or well-used plate). Similarly, you can cook a number of things on the same plate without flavour transference between the items. So there.
5. Jimmy Shu’s Sichuan Salt
Came in late to Jimmy’s session but was intrigued by an idea he threw out – Sichuan salt. In a mortar and pestle, pound one part Sichuan peppercorns to five parts sea salt. Jimmy suggested sprinkling the resulting salt over salads, or over Chinese ban ban chicken (I know it as bang bang chicken), or using it as a dip with olive oil.