Kitchen Stories and More
I’m a list person. Lists for everything. Books I want to read. Albums I want to buy. Perfumes I’ve read about that I want to sniff. Things I have to do for the blog. Blog entries that need to be written. Things I have to do for work. Daily lists. Weekly lists. Lists of films I want to see.
I was excited when I read that the ITunes store had started a movie rental download system — until I discovered it would be some time before it was rolled out in Australia. I don’t have a video-rental store terribly close to me now and, in any case, I’ve always found something a bit ghastly about them; they make me feel like donning dark glasses in case I’m spotted. So I went looking for alternatives so I could start to excise that list of films to see.
Bigpond Movies, I discovered, offers a download rental service and a DVD delivery service, but the download service is not available to Mac users. Its DVD service — free postal delivery and return, no late fees — seemed very expensive. Then I stumbled onto Quickflix. (I’m going to start to sound like an ad here…)
I’m now a convert. For $9.95 a month (more if you want to watch more) I get three movies sent to me. When I’ve watched them, I slip them back in the envelope provided and drop it in a mailbox. Quickflix then sends me the next available DVD on my list, which I now maintain on my Quickflix account page. That list is long, and getting longer, but finally I’m starting to see films that I’ve long wanted to see and which aren’t available in your garden-variety video store.
Kitchen Stories, for example. I knew it was Norwegian, and that it was about two bachelors. I had it in my head that it was some ironic contemporary thing, replete with Scandinavian design — blond wood, chic furniture, avant-garde architecture — ruggedly handsome Nordic men, and plenty of food.
Not quite. I must have read the review that spurred me to put it on my list after a few glasses of wine. The Kitchen Stories that Quickflix sent me was something altogether different. Norwegian bachelors yes, contemporary no.
Set in the mid-’40s, it’s an initially slow-burning, ultimately engaging film about an upright Swedish researcher for the presumably fictional HRI — the Home Research Institute — and the Norwegian bachelor he is sent to observe as part of a study into the “kitchen habits of single men in Norway”.
The researcher, Folke, spends his days perched high on a wooden stand drawing diagrams, as his craggy subject, Isak, moves around below in his kitchen, and his nights in a little bubble of a lichen-green caravan parked outside Isak’s house. The men are forbidden to communicate, lest the study’s integrity be jeopardised. But, of course, eventually these two lonely men do. And it’s in their gentle, musing dialogues in which what is unsaid is more significant than what is said, that this poignant, whimsical film’s true treasures emerge.
There’s not much food but still, I love this exchange, coming after Folke has been fired:
Isak: “Maybe you could stay for Christmas.”
Folke: “That would be nice.”
I: “Since you don’t have a job anyway.”
F: “Thank you, but I don’t think that would be possible.”
I: “You probably have family to spend Christmas with.”
F: “Not exactly … except for my old aunt. The one that sends all the food. … what the hell… why not? Everything’s gone to hell anyway.”
I: What do your normally eat?
F: “Herring, of course. And Jansson’s Temptation. Pig’s feet, Christmas ham, and lutefisk. And bread and grease.”
I: “Bread and grease?”
F: “Actually, they mostly eat that up north. Not where I come from.”
I had to look up Janssons Temptation, and it’s not tempting me to rush off and eat it, but I did find myself looking at a bottle of herrings yesterday in a deli …
Meanwhile, I’ve added another film to my Quickflix list this week — The Secret of the Grain, a film about North African immigrants in the south of France. The grain of the title is couscous; the opening of a restaurant is a plank of the plot.



